What a great video, and a really good intro to the basic filters available in the ever diversifying world of digital imaging. I thought it was really telling and cool that Ira brought up the exact four filters one is most likely to encounter on a film, pretty much in that order of likelihood.
Also stoked to hear Michael Slovis come up - his work on Breaking Bad, particularly the in-camera color effects and filtration, is fascinating stuff, and a great introduction to filters as they apply to storytelling. He discussed this at length on the American Cinematographer Podcast.
I never noticed the filtration effects in Top Gun until hearing them brought up here - but he's absolutely right. The otherworldly color just works so well that you don't even think about it as a filter, you just dive into this amazing new world.